Saturday, November 9, 2019

Essay on The presentation of the ceramic book “Orientalism” by Jamelie HassanEssay Writing Service

Essay on The presentation of the ceramic book â€Å"Orientalism† by Jamelie HassanEssay Writing Service Essay on The presentation of the ceramic book â€Å"Orientalism† by Jamelie Hassan Essay on The presentation of the ceramic book â€Å"Orientalism† by Jamelie HassanThe presentation of the ceramic book â€Å"Orientalism† by Jamelie Hassan is quite symbolic in light of the unusual presentation of such a complex concept as oreinalism. The author has chosen ceramic as the medium to create the presentation. The choice of the medium is not occasional. In stark contrast, the artist apparently attempted to emphasize how precious the oriental culture and orientalism are for her. At the same time, the use of the ceramic book gives implications that it is virtually impossible to read and therefore understand. This is why, in spite of many contacts between European and representatives of the oriental civilization or civilizations, westerner still are not well informed of and cannot always understand the oriental culture and lifestyle.In this respect, the presentation made by Francine Savard, â€Å"Pluie Intermittente† is quite different from the presentat ion made by Jamelie Hassan. Her presentation includes the plywood with the acrylic on canvas mounted on it. In fact, the presentation seems to be just a box with the caption ‘pluie intermittente’ which actually is the name of the presentation. However, this is not a mere box but it is the symbolic representation of the weather which seem to be clear and square and easy to understand but, in actuality, it turns out to be a mystery just like the box which is installed on the plywood and symbolizing precipitations.The difference between the presentation made by Jamelie Hassan and the presentation made by Francine Savard can be traced not only through the difference of the medium used by the artists but also and mainly by the message conveyed by the artists. In fact, Hassan attempts to draw attention of the audience to the mysterious oriental civilization using the complex and artistically rich design of her presentation, whereas Savard returns to cubist traditions and uses the right cubic form of her work that manifests the intention of the artist to uncover the complex issue through the simple form. In this regard, the complexity of form makes the difference of the two works of art. In such a way, the artists attempt to convey their messages using different strategies but both artists attempt to convey complex issues.Furthermore, Hassan uses the extensive visualization in her presentation. The book contains images on its cover page and the title of the book is clearly written. The book is created in the oriental style that backs up the title. In stark contrast, Savard uses the simple form and the cubic presentation of the precipitation is quite unusual. At the same time, such a choice is very unusual but very effective because the depiction of precipitation in the presentation is very complex and the choice of the form mirrors the complexity of the depiction of mirrors in the artistic form. At the same time, both presentations imply the presence of the mystery which they hide successfully since viewers cannot view inside the book of Hassan or the box of Savard. In such a way, both artists suggest viewers to make their assumptions and to guess what actually may be hidden or implied by the artists.Savard offers the background of her work explaining how she prepares her exhibitions and presentations. She conducts the extensive study, analyzes various media resources before she prepares her exhibitions and presentations. Savard stresses that she uses not only color but also relationships between things which are of the utmost importance for her. She uses variations and exploration of languages as a combination of color, text, and form. She does not proceed the presentation chronologically. Instead, she arranges items taking into consideration the cultural background and messages she wants to convey to the audience.In general the presentation of Savard is more formal compared to the presentation made by Hassan. The latter makes her presentation more personal. She uses the friendly rather than formal tone. She admits personal references to her family and her past personal experience. Her presentation involves elements of the comparative study since she compares her cultural background to that of Canada and through references to her personal experience she uncovers her key messages and challenges which she has encountered. In this regard, her works contain elements which are typical for her culture. At the same time, Hassan attempts to combine those elements with elements that are traditionally attributed to Canadian and western culture. Unlike Savard, who considers relationships between objects she presents in her works are very important, Hassan stresses the importance of cultural and intercultural relationships through her works. At the same time, both Hassan and Savard prove to be proficient in their fields and view their works as the means of communication with the audience and tools with the help of which they can convey their messages to the audience.Thus, presentations made by Hassan and Savard are different in the form and content but still they imply the presence of some mystery which the audience has to uncover.

Wednesday, November 6, 2019

20 Definition Essay Topics Meet the Most Interesting Issues about Muslim Culture

20 Definition Essay Topics Meet the Most Interesting Issues about Muslim Culture If you need help finding a topic for your next definition essay on Muslim culture, consider the list of 20 definition essay topics below: Defining Harth for Modern Culture The Definition of Cultural Relativism Means Today Defining Faith as a Fundamental Term The Power of a Word to Impact Change How Islam is a Word Which Creates Stereotypes A Word Which Changes History Defining Muslim as an Individual A Word Which is Stigmatized How Veil Harbors Negative Connotations The Negative and Positive Power of One Word The Linguistic Value of Symbols The Power of the Word Prophet Defining the Qu’ran in Modern Culture The Impact of the Five Pillars The Definition of Jilbab Defining Muslim as a Nation Defining Religion among Modern Culture Defining Subservience among Secular Cultures Defining Symbols and Power within Muslim Culture Defining Freedom among Modern Culture Sample Definition Essay Defining Symbols and Power within Muslim Culture One of the largest controversies within Islam and the west is the idea of gender equality. Many western schools of thought focus on the lack of gender equality associated with Muslim women in particular. This is often epitomized through the veil. The veil acts as the precipice upon which many negative connotations related to Islam have been built. There are other symbols for the oppression of women in Islam, but many Muslim scholars and those who associate with Islam in the Middle East, have argued that the Qur’an does not in fact support females as property meant only for the pleasure and service of men. The studies related to â€Å"devout women’s affiliation with conservative religious communities† have been brought under scrutiny in light of â€Å"contemporary social and religious life† (Bartkowski, 2003, p. 72). The most important symbol to many groups either in support of Islam or against Islam, is the veil. The veil is a proponent meant to signify the overall oppression of women in Islam, indicative of their being owned by men or treated as property. Shirazi (p. 32) argues that the veil is a multi-faceted symbol with meanings related to the context. The author states that there is â€Å"semantic versatility of the veil in western popular culture, Saudi advertising, Iranian and Indian poetry and films, and for Iranian, Iraqi, and UAE women soldiers (Shirazi, 2001, p. 32). This same argument is supported by the main authors. Issues of symbols as a means of conveying thoughts toward Islam and Muslim women surround the veil. Objects or people become symbols and with those symbols particular associations which spawn from politically minded propaganda, in the case of cartoons or other graphic depictions of the veil or the prophet. There is an assumption from the West and from the Muslim community that the veil is meant to cover the female body because of female sexuality. Female sexuality was also primarily associated with sin and impurity. The veil is thought by many Muslims as a means of being controlled by men, making them subservient, meant to keep their enticing sexuality covered so that men would not be tempted. However, none of the verses which pertain to the wearing of the veil link female sexuality with sin or impurity, but rather, leaves the female sexuality as something separate from impurity, though it can be used for sin. Castelli (p. 439) raises issues about which this author use as examples for those who hold contemporary ideas about the veil and Islam as oppressive. Castelli supports the idea of â€Å"Islam as a lesser religion and less developed† (p. 439). There have been misinterpretations of verses from the Qu’ran, mistakes made by Muslims who have interpreted them as requiring women to remain covered. It is posited that, â€Å"if the Qur’an asks women to cover their bosoms but leaves other allusions imprecise, it may be because what it means to generalize is a concept of modesty, not Arab dress† (Barlas, 2009, p. 5). Attention is also drawn to the emphasis on women being oppressed by the veil because it symbolizes their possession, being subservient to men. â€Å"A great deal is also made of the Qur’anic reference to women as harth, a word many people interpret as land and, hence, as property. However the Qur’an does not designate a wife her husband’s property†¦ â€Å"The jilbab as having been space and time bound, hence as a specific mode of veiling in that it only acquired meaning in a particular social context† (Barlas, 2009, p. 4). The Barlas viewed it as outdated given the context of the legal implications; if it was originally meant as a means of protection against other men, a way to state that a woman was taken, current laws against sexual abuse now take on that role. In terms of the prophet as symbol for the West to use against Islam, the prophet remains part of collective memory for western cultures, as Europeans associate Islam â€Å"as the harbinger of the West’s destruction in the form of the Antichrist† (Barlas, 2009, p. 7). Barlas raises issues of the graphic cartoons of the Prophet as a terrorist which caused much debate, and how the freedom of speech is really a legal means of domination, allowing westerns to say whatever they want to cast negative shadows on Islam and Muslims. The misuse of symbols such as the veil and the prophet for the purpose of drawing attention to gender inequality presumed to be associated with Islam is protected through freedom of speech: â€Å"Europeans have always felt free to say rather execrable things about Islam†¦That they now rely on free speech to impugn Islam or Muslims should tell us that speech permits not only satire and critique but also assertions of power and dominance† (Barlas, 2009, p. 8). There are many schools of thought pertaining to the veil as a symbol of oppression, all of whom have used freedom of speech to emphasize their interpretations of Islamic symbols. â€Å"The veil is seen as quintessentially traditional† (Bullock, 2002, p. 19) More attention is drawn to the fact that many presume the veil meant as a means of keeping men from thinking impure thoughts about women, thereby associating women and their bodies with sexuality and sin. Overall, preconceptions about gender inequality have been supported through symbols of oppression by the west and ignorant Muslims which have thereby managed to sustain incorrect assumptions about Islam through symbols, particularly the veil and the Prophet. References: Barlas, A. (2009). Islam and Body Politics: Inscribing (Im)morality. In Conference on Religion and Politics of the Body Nordic Society for Philosophy of Religion (pp. 1-12). Reykjavik: University of Iceland. Bartkowski, J., Reed, G. G. (2003). Veiled Submission: Gender, Power, and Identity Among Evangelical and Muslim Women in the United States. Qualitative Sociology, 26(1), 71-92. Bhutto, B. (2008). Reconciliation: Islam, democracy, and the West. New York, NY: Harper. Bullock, K. (2002). Rethinking Muslim women and the veil: challenging historical modern stereotypes. Herndon, VA: International Institute of Islamic Thought. Castelli, E. A., Rodman, R. C. (2001). Women, gender, religion: a reader. New York, NY: Palgrave. Hoodfar, H. (n.d.). The veil in their minds and on our heads: Veiling practices and Muslim women. Retrieved from umass.edu/wost/syllabi/spring06/hoodfar.pd Shirazi, F. (2001). The veil unveiled the hijab in modern culture. Gainesville, FL: Univ. Press od Florida.

Monday, November 4, 2019

Morality of Active Euthinasia Essay Example | Topics and Well Written Essays - 500 words

Morality of Active Euthinasia - Essay Example Active euthanasia is sometimes called mercy killing whereas the physicians end the patients’ life directly, such as by giving lethal injection. The passive one is delivered by ending any life sustaining treatment. The result of both cases is the same, the death of the patients. However, some can argue that the former is caused by the physician while the latter by the disease. The conventional doctrine is that there is such an important moral difference between the two that, although the latter is sometimes permissible, the former is always forbidden. (Rachels 78) In my opinion, the morality of active euthanasia actually depends on the situation. In some rare cases whereas the patient suffers extreme pain and has absolutely no hope of surviving, active euthanasia, although it is illegal, can be seen as an act of kindness. This mercy killing is, in some sense, even more compassionate than passive euthanasia, whereas the physicians forgo the life sustaining treatment and let the patient suffer to death. However, in most cases, active euthanasia is absolutely immoral. When there is a chance for the patients to recover, no matter how tiny the chance is, mercy killing is obviously not the act of compassion. Even if the patient voluntarily ask for it, as long as the chance to recover is there, active euthanasia is still morally wrong. The morality of active euthanasia in individual cases can depend on the situation. The morality in the policy level, however, cannot depend on the situation. The question whether it should be legalized or not should only be answered after considering carefully the potential consequences. If active euthanasia is legalized, it will definitely generate good and bad consequences. Whether the good ones outweigh the bad ones or the opposite should be the main concern to answer the question of legalization. Let’s deal with the good outcomes first. According to Dan W. Brock, if active euthanasia is legalized, it means

Saturday, November 2, 2019

An Organisational and Strategic Analysis of British Airways Essay

An Organisational and Strategic Analysis of British Airways - Essay Example British Airways realises its strong position on the international airlines market, however, its management is also well aware of the constant competition with other companies. Therefore, over the last decade we were able to follow the well-considered steps of the BA management aimed to hold the position of the company and advance it further of the airlines market. Let’s for example, investigate the technical advancement of the company. Realising that currently the market conditions remain for the greater part unchanged the management of BA decided to perfect in the technical perspective. Thus, Strategic Development British Airways began the expansion of the longhaul fleet of the company. The first step in this was the decision of purchase four Boeing 777-200 ER aircraft, which are supposed to make the first flights in early 2009. These technical advances aim to provide better competitive position of the company on the international market / About British Airways, 2007/. However, in this research I’m not going to dwell on the introduction of technical news and expansion of the air fleet of the company. Instead I would like to discuss the changes, which were introduced in the structure, organisation and management of the company, which are aimed to prompt the development and better performance of the company. British Airways realizes the necessity to improve its management and the qualification level of its employees. Therefore, I can say that BA is indeed able to foresee its future needs by identifying the skills and knowledge requirements to each employee and then match need with opportunity. British Airways views the work as a proper occasion to train its employees. In order to provide decent training and enable the employees to learn the company researches and develops new techniques) and seeks to obtain external